In doing this interview with Frank about his memoir, Fathers, Brothers and Sons: Surviving Anguish, Abandonment and Anthrax, it seems like we had known each other for years. There’s a lot to take in with Frank’s book, and there are no spoilers here, because Anthrax fans, and non-metal fans alike, should pick up the book and feel the same personal connection with how the man told his story.
On its 15th full-length optimistically titled album, A View from the Top of the World, the talented quintet is sure to win back those fans that dismissed The Astonishing. Expanding on the sound Dream Theater helped create, the band also retained its roots of the elements that have garnered them worldwide devoted fans.
Street Lethal sits alongside some of the band’s best work. It’s heavy when it needs to be, it’s a ripper when it wants to be, and it’s always melodic. Vocalist and producer Danny Rexon seems to have it all under control, as he discusses the current state of Crazy Lixx and Street Lethal.
Working their asses off during the pandemic, Psycho Synner recently released nine full-length albums—yes, nine!—on the same day. We spoke to Jeremy Spencer to figure out how this was done and what is looming around the corner for Psycho Synner.
“There’s a little sinner in all of us,” guitar maestro John 5 explained during a recent interview about the title of his newest solo instrumental album Sinner. On his tenth solo instrumental album, Sinner, he and his band The Creatures—featuring bassist Ian Ross and drummer Logan Miles Nix—perform a wide range of styles that encapsulates everything about his six-string prowess.
Keith Buckley has never been one to mince words, nor is he lacking in the creative output department. Frontman of hardcore meets metalcore luminaries and Buffalo’s favorite sons Every Time I Die, Buckley has seen the industry morph and change for the better part of three decades. On Every Time I Die’s ninth studio album Radical, rebirth is as much a buzzword as any descriptor surrounding the band since their humble underground beginnings.
Lucifer IV is an album you can imagine being played at everything from a seance and a 70s key party to being featured prominently in Mark (Grand Funk Railroad) Farner’s record collection and as the centerpiece of a stoner film soundtrack. We spoke with Johanna Platow-Andersson about the importance of proximity, growing up in Germany, and how to say fuck you to the patriarchy without actually saying fuck you to the patriarchy.
On the heels of its newly released five track EP, Days Before the World Wept, the band is still waiting to finalize a tour to finally start playing live again. During a recent interview, Vicky talked about the new album, lyrical inspiration, and her other musical projects.
With their latest album, Bleed the Future, Archspire has carved out breathing room within tech death’s confines by upping the melody and infectiousness. We caught up with bassist Jared Smith and guitarist Dean Lamb to talk about musical catchiness, the relationship between cooking shows and tech death, and how Jason Momoa makes them nervous.
A lot has changed in the world since DED’s breakout debut album, Mis·An·Thrope, was released in 2017. We spoke with vocalist Joe Cotela to discuss “Kill Beautiful Things,” how to find your way when everything is crumbling, and DED’s second album, School of Thought.