Belched from Hell’s depths into the rustic charms of the Witch County, Suffolk, thirty long and disturbing years ago, CRADLE OF FILTH are undisputed giants of the heavy metal realm. Imperious purveyors of a perennially unique strain of dark, dastardly and willfully extreme metal, with deep roots in the worlds of gothic horror and occult curiosity, the band led by Dani Filth has weathered three decades of tumult and trial, earning a formidable reputation as both a singular creative force and one of the most riotously entertaining live bands the metal world has ever produced.
Now the gates of hell have finally opened up again, to reveal the band’s 13th manifesto, recorded during the lockdown periods of 2020 and entitled Existence Is Futile (out October 22nd). Pieced together in isolation, at Grindstone Studios in Suffolk with studio guru Scott Atkins (Devilment/Benediction/Vader), the band’s latest chef-d’oeuvre is a pitch-black, perverse and at times absurdly brutal and extreme masterpiece following a truly nihilistic concept:
“The album is about existentialism, existential dread and fear of the unknown,” frontman Dani Filth explains. ”The concept wasn’t created by the pandemic. We’d written it long before that began, but the pandemic is the tip of the cotton-bud as far as the way the world is headed, you know? I guess the title, Existence Is Futile, does sound a little morbid. But again, it’s more about recognizing that truth and saying that everything is permitted because nothing really matters, which mimics the occultist Aleister Crowley’s maxim. We all know we’re going to die, so we might as well indulge life while we possess it. The final track on the album – ‘Us, Dark, Invincible’ – really drives that point home. Also, the artwork for this record was created by the Latvian visionary Arthur Berzinsh, who also dressed the last two albums, and that reeks of the exceedingly beautiful yet apocalyptic too.”