THE AGONIST: Death and Resurrection

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On the heels of its newly released five track EP, Days Before the World Wept, the band is still waiting to finalize a tour to finally start playing live again. During a recent interview, Vicky talked about the new album, lyrical inspiration, and her other musical projects.

BARONESS: Moving Outwards

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Baroness’ growth has been astounding. Latest album Stone is rife with typical Baroness intricacy, care, depth, and songs melding the past and present. We caught up with John Baizley for an extensive chat about intensive creative processes, significant changes, and skipping out on the color spectrum.

OKILLY DOKILLY: All Hail the Ned

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Parody bands have come and gone over the years. Weird Al Yankovic, Dread Zeppelin, and Beatallica, among others, made their mark in pop culture. Phoenix based death/punk band Okilly Dokilly…

HELLYEAH: Nerves, Anxiety & Fear

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It takes great strength and determination to move on after a loss. But how do you continue when someone so integral to a band has died? Hellyeah is still trying to figure this out. Legendary metal drummer and founding member of Hellyeah, Vinnie Paul (Pantera, Damageplan), passed away from heart disease in 2018 during production of the band’s new release, Welcome Home. Paul finished tracking drums for the album prior to his death, so what listeners hear are his final recordings.

HEAVEN SHALL BURN: Insanity of Our Days

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Heaven Shall Burn guitarist Maik Weichert remains one of the best interviews in metal-dom. He’s always dripping with insight, has a riotous sense of humor, and never presents like it’s a pain in the ass to be yapping on the horn, even if it’s after a long day in the trenches at his legal eagle day gig or after bringing the sounds of melodic death infused metallic hardcore over the course of nine studio albums, including latest Of Truth and Sacrifice.

CULT OF LILITH: Necromechanical Baroque

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Coming straight outta Reykjavik, Iceland and gripping on to the silver-plated reins of a bronco bucking to the sounds of wiry, technica, and melodic death metal comes Cult of Lilith. The sounds of the band’s debut full-length, Mara, marries influences from 18th Century classical music, 20th Century Gothenburg scene, and 21st Century tech-death, essentially keeping one foot in the past as they stretch the commonly accepted boundaries…

EMPTY STREETS: Right Down the Center

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Aaron Thompson’s electric melodies and moody vocals are sure to capture the attention of darkwave and brooding synthpop music fans with his endeavor Empty Streets. This dark act is on the cusp of a brand new EP titled Age of Regret, entering the public soundwaves in June of 2021 on Cleopatra Records.

AUTHOR & PUNISHER: Sonic Steamroller

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For nearly 20 years, the sonic steamroller known as Author & Punisher has continued to release a mesmerizing body of music. Inspired not only by the chaos of the pandemic but by the incendiary political landscape and the eerily prescient sci-fi novels of Octavia Butler, his latest effort, Krüller, sees Tristan Shone notching new creative highs across the board.

3TEETH: Something That Matters

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3TEETH is a band that is hard to ignore, with heavy riffs and ideological undertones, not to mention a stage presence that intoxicates a room. With the band right on the cusp of its forthcoming release Metawar, its first time sharing the spotlight with a major label, we were able to get right into the mind of 3TEETH frontman Alexis Mincolla.

NILE: Back to Basics

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Technical death metal band Nile has been churning out slabs of authentic Egyptian inspired metal since 1993. The band is on fire as of late with a renewed sense of brutality, which is on full display on its ninth full-length, Vile Nilotic Rites, its first album in four years. We spoke with Sanders about Vile Nilotic Rites, how he’s inspired by Egyptian history, and news on his future solo album.

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